GIRLS TRIP/ROUGH NIGHT

Girls Trip (top) versus Rough Night (bottom).

Guess who wins boob exposure contest?

GIRLS TRIP Versus ROUGH NIGHT

Film Review by Marlene Ardoin

I thought it might be interesting to compare the black and white versions of college girl reunions in “Girls Trip” with “Rough Night.”

I was struck by how much more conservative “Girls Trip” was in comparison.

The black girls, Regina Hall, Queen Latifah, Tiffany Haddish and Jada Pinkett Smith talk about showing some skin, but they only show so much at their ten year reunion in New Orleans.

Even the bad girl, Deborah Ayorinde as Simone, seems tame compared to the white girls in “Rough Night.”

The black girls want a proposal, not a boyfriend in “Girls Trip.”

The white girls in “Rough Night,” Jess (Scarlett Johansson), Alice (Jillian Bell), Frankie (Ilana Glazer), and Blair (Zoë Kravitz), don’t seem to care about that marriage proposal. They are more up for male castration, bisexuality, male strippers, and vibrators at their ten year reunion in Miami.

Demi Moore is very daring as a female sex addict in “Rough Night.”

The black girls in “Girls Trip” are still looking for a man to provide protection, partnership and motherhood. But, somehow, betrayal is what they get from their men, who walk all over them.

There is one male in “Girls Trip,” Larenz Tate as Julian, a musician, who gives up his apartment for the women and who makes sure that they are safe, is appreciated, but does not appear to be a serious relationship option. He does not have the financial resources or the macho image.

What occurs in both films is the dynamic of women being pitted against each other.

In “Rough Night,” the school teacher, who does not have a mate, is placed at the bottom of pecking order, being replaced and left out of invites.  She is seriously pitied, but if you wait to the end of the credits at the end of the film, she does get her revenge.

And, in “Girls Trip,” all the women at one point turn on each other, but at the last minute, realize that they are the ones who can be counted on to accept each other unconditionally.

The white girls in “Girls Trip” are not let into the black circle, but are allowed to be helpful in promoting their careers. They are not seen as the competition.

Each film has so-called successful females. In “Girls Trip,” Regina Hall as Ryan Pierce, is a successful self-help writer and lecturer.  And in “Rough Night,” Scarlett Johansson as Jessica “Jess” Thayer, is running for political office.

Ryan’s male partner is cheating on her, and Jessica looks like she may lose the election, because she does not look like she will put out. The male factor sabotages their efforts.

What about money? The white girls in “Rough Night” clearly have no worries financially, but the black girls in “Girls Trip” do not have such financial privilege.

I know that this is a comedy, and things are taken to the extreme, but it does expose our culture for what it is. Americans are seriously messed up when it comes to male/female relationships, marriage, career, money, identity and sex.

Ideally, men should be able to be men and women should be able to be women, no matter what color their skin is. Just because you are smart does not mean you have to be a cad, unless, of course, you are exploiting someone else.  That goes for both men and women, black or white.

These days, gender identity is an added factor, which is slightly mentioned in “Girls Trip,” but it is front and center in “Rough Night.”

So, it appears that each person is an individual with an individual identity. Maybe Americans are starting to get something right, after all.  We are starting to see the individual, rather than just their color, gender or wallet.

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8/4/2017 # Girls Trip/ Rough Night

BLIND

Suzanne Dutchman (Demi Moore) walks in park with blind Bill Oakland (Alec Baldwin).

BLIND

Film Review by Marlene Ardoin

I found myself becoming fond of the film “Blind,” in which Alec Baldwin and Demi Moore give it their best try to make being blind sexy. And, Dylan McDermott makes being a white collar financial criminal into a scary, vicious thug.

Baldwin plays Bill Oakland, a novelist/ college professor, who has community service volunteers read his student papers for him at a Center for the Blind, which is where he meets Suzanne Dutchman (Demi Moore).

Suzanne gets 100 hours of community service, just for being married to Mark Dutchman (Dylan McDermott).

The female judge says that she does not believe that Suzanne knew what her husband was accused of doing, but dishes out the punishment anyway.

If anyone is a selfish, narcissistic psychopath, it is McDermott’s character, Mark. There is one scene in prison, where he effectively shows his colors.  I was really frightened for Suzanne, when her husband, Mark, gets himself out of jail. 

Never confront a narcissist about anything, because they will come at you with their teeth bared. McDermott does a great job of demonstrating this principle, while in prison.

This film tries to demonstrate that even though a man or woman is blind, they can still lead a meaningful life that contributes positively to life.

A future prospect of driverless autos could really enable the blind, who could get from place to place without depending so heavily on others.

In the film, “Blind,” Suzanne gets to know Bill, while her husband is in jail. She reads his student’s papers, looks up Bill’s novel, then visits his classroom, while he is teaching. 

The major flaw of this film is too much explanation about being blind in the dialogue. The point being made is that they are just like everyone else, except they do not see.

This film would have been far more romantic, if the characters just acted out the situations. The audience gets it.

Why does Suzanne find Bill attractive? Bill gains her respect, and her husband, Mark, loses her respect.  Her skin begins to crawl under the shame of her husband’s jewels.

Baldwin is drop dead handsome as a blind man. I was surprised to see him in such a vulnerable role. 

Baldwin’s character is very frustrated having to depend on others, until Suzanne shows up. 

In one scene, he keeps the office hot, and refuses to open the windows for Suzanne, which forces her to start shedding clothing. He also uses his novelist skills to paint a very romantic possibility of a life in France.

One of Bill’s male readers gains his trust enough to be invited to help him out at his home. This worker takes advantage of that trust by taking one of Bill’s manuscripts without asking.

Bill lost his sight in an auto crash, which also killed his wife. I got the impression that he was about to ask for a separation, when this accident occurred.

Michael Mailer (son of novelist Norman Mailer, 4th marriage) is the producer and director of “Blind.”  His half-brother, John Buffalo Mailer (Norman Mailer’s son, 6th marriage) wrote the script and performs in the film.  He plays Jimmy, an attendant at the Center for the Blind.

And, we also get to catch a glimpse of Baldwin’s real life wife, Hilaria Baldwin, as Susanne’s yoga teacher.

“Blind” is fun to watch, and makes it easy to understand the world of blindness.

Suzanne Dutchman (Demi Moore) receives a necklace from her husband, Mark (Dylan McDermott).

 

Dylan McDermott BIO:

https://en.wikipedia.org/wiki/Dylan_McDermott

Screenplay by John Buffalo Mailer:

https://en.wikipedia.org/wiki/John_Buffalo_Mailer

Directed and produced by Michael Mailer:

https://en.wikipedia.org/wiki/Michael_Mailer

Norman Mailer Bio:

https://en.wikipedia.org/wiki/Norman_Mailer

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7/19/2017 # Blind